Puzzle Genius

Doors, sometimes also called Seethrough, is a spatial awareness puzzle played on a square grid. Although there are numbers involved, it’s not a math puzzle (beyond simple counting).

In a hurry? Jump to: Rules / Tips / Worked Example / Download Free Doors Puzzles / Books

The objective of the puzzle is to ‘close’ certain doors between rooms so that each room opens onto a set number of others. This is done by drawing lines between cells. Here’s what a very small, simple Doors puzzle looks like:

Door tutorial small example

Rules of Doors (Seethrough)

  • Each cell represents a room, and the number in a cell tells you how many other rooms are visible through open doors when looking horizontally or vertically (the room itself is not included in this count).
  • Rooms cannot be isolated from other rooms. When the puzzle is complete, it should be possible to pass from any room to any other room.

Here’s what the above example puzzle looks like once it’s been solved:

Door tutorial small example - the solution

Solving Doors Puzzles

These puzzles are solved through simple logic, mainly just counting. The logic and process might be straightforward, but the puzzles can initially look a little daunting as there are lots of numbers and no closed doors to start you off. The key is not so much to look for which doors you must close, but which must remain open. By forcing some doors open, you eliminate places where you can close others.

Here are some tips to help you get started. Below, we will work through a whole puzzle from start to finish, putting these tips into practice.

  • Start, as always, with the easy wins. If you see two 1’s adjacent on the grid, you know you must close the door between them. If that door were to remain open, all the others for those 1s would have to be closed, cutting them off from the rest of the puzzle, which is not allowed.
  • Next, begin to look for “forced openings” – doors that you can determine must remain open for a room to be able to meet its count. Mark these forced openings on the grid as they will help you later (see the example below).
  • Look for large numbers in the corners. Corners are more constrained because they only have two doors. If a corner cell contains a 6 and the puzzle is only 6 cells wide, then you know both doors must remain open (because the most rooms you could see through a single door would be five).
  • Look for large numbers on the edge. These are also slightly more constrained because they have three doors not four. 
  • Large numbers can also be helpful elsewhere in the puzzle. The bigger the number, and the closer it is to the outside, the more likely it is to help because it will force open more doors. 
  • Next, look at small numbers, particlulary 1s. A 1 effectively acts as a “blocker”. If you were to keep the door between a 1 and any other number open, all other doors around the 1 would be shut, closing off that viewpoint to the other number. 
  • When sufficient doors have been closed such that a room has fulfilled its target, strike through the number in the room so you know it’s solved. 
  • Often you will force open enough doors that a room meets its target, allowing you to close any remaining doors around the room so it doesn’t ‘bust’ past it.

Worked Example

Let’s solve a puzzle from start to finish, so we can see some of these techniques in action. This example is not intended to show the best or fastest way to solve the puzzle, only to demonstrate methods that can be used.

Door Worked example 1

This is the puzzle we are going to solve. It’s a small, easy puzzle. Smaller, in fact, than our usual Level 1 puzzles. But a regular puzzle would make this example too long and unwieldy, and a little puzzle is sufficient to see the solving techniques in action.


Door Worked example 2

The first move is easy: as we have two 1s next to each other, we know there must be a door closed between them. If that door was open, then every other door surrounding those 1s would have to be closed, which would isolate them from the rest of the grid, and that’s not allowed by the rules. So this door must be closed.


Door Worked example 3

Now let’s turn our attention to this corner. Corners are obviously more constrained as they only have two doors. Why look at this corner in particular? Because it’s the largest number in a corner. We need to see five rooms, and we can only look up and to the left. Either direction will only show us a maximum of four rooms each (it’s actually fewer because the 1 in the vertical direction, and the 2 in the other corner, both ‘block’ us), so we know we are going to have to look at rooms in both directions if we are to meet the target. Therefore we know that both the doors to this cell must remain open. We can mark those in on the grid, so we know not to close them later.


Door Worked example 4

I’ve marked those doors open with the small green lines. We can do something similar here with this 6. At first glance, it looks like we can see a maximum of four rooms looking vertically (upwards). However, the 2 at the top of that column means we couldn’t open all the doors between it and the 6. We don’t know if the 2 will see any rooms in that column – it could see the 6 and the 4 below it, or just the 6, or nothing at all in that column. But we do know that we cannot have doors open all the way between our 6 at the bottom, and that 2. So the most rooms we can see vertically is three. That means to see our target of 6 rooms, we are going to have to leave all three doors open. Again, we’ll mark them in to remind us.


Door Worked example 5

Let’s keep looking for forced openings. Another obvious place to look is this 6. Aside from the one we just looked at, it’s the biggest number on the board. However you look at it, we’re going to have to leave the bottom door open if we are to reach the target. There are various combinations in which one of the other three doors may or may not be closed, but we don’t know which is correct yet, so we’ll just mark in what we know for sure: that bottom door is going to have to stay open.


Door Worked example 6

Now we’re going to have a look at this corner 3. Again, we’re rather constrained because we only have two doors. We are further constrained in that below that 3 is a 1, so if we leave the door between them open, we must close all other doors on the 1, shutting off that column as a source of rooms to view. We are further constrained by the 1 in the top row. If we left all the doors open between the 3 and the top 1, we would be fulfilling the criteria of the 3, but we would bust the 1 (it would be able to see 3 rooms!) These constraints, taken together, allow us to solve this cell. We must be able to see the two cells immediately to the left, and the cell below. We can draw in the openings, close the required doors, and strike through that 3 so we know we’ve solved it…


Door Worked example 7

…like this. With the two doors we’ve closed, that 3 can now only see the required 3 rooms.
Closing those doors has some knock-on effects we need to deal with. Firstly, this 1. It’s looking at the 3, so we must close the remaining door to the left.


Door Worked example 8

The 1 is completed so it can be struck off.
The 2 is also complete, because we can see the two threes to its right, as the interconnecting doorways are forced open. So we must close the remaining door, looking downwards.


Door Worked example 9

We’ve solved most of this top corner, but what about this 3? It can see two rooms (left and right), so it must keep its bottom door open to look at the 4, but it must not look any further. That means we have to close the bottom door of the 4.


Door Worked example 10

With only one door remaining open, we can solve this 4. It can see one room above, so it must be able to see all three to the left. We’ll mark those doorways as open, and strike through the 4 as complete.


Door Worked example 11

Looks like we’ve just solved this 6 into the bargain! We’ll mark the highlighted doorway between the 4 and the 5 as open.


Door Worked example 12

We can solve this 3, because with the open doors to the left and right it can already see three rooms. We need to stop it seeing any more, so have to close the top and bottom doors.


Door Worked example 13

The 2 and the 1 can also be solved. The 1 already is – it’s only got one door left open! And the 2 must have its bottom door open, and we have to close the one beyond it (the bottom door of the 4)…


Door Worked example 14

…which coincidentally also solves the 4.
I’m going to return to the bottom of the puzzle now, and look at this 2 in the corner. If we leave the door to the right open, we’re going to have a problem as all the other doors further right must stay open and we’d see far too many rooms. So we must close the right-hand door, and we must force open the two doors to the top so we can see enough rooms.


Door Worked example 15

Not only has that solved that 2, it also completes this 6 because it’s now reached its target number.


Door Worked example 16

…and it lets us solve this 3 – we must close the top door.


Door Worked example 17

They’re dropping like flies now. The 4 is solved already. The fact it must open onto the 1 above it means we can shut the other doors on that 1 and mark it as complete.
The 5 is also solved, and we can mark the doors above it as open, which will help solve the other rooms.


Door Worked example 18

Both of these 2s are done, and we can close the other door on the top one.


Door Worked example 19

We can solve this 4, because we know the 1 to its right must open on to it. With the doors at the top and bottom of the 4 already forced open, it has reached its complement of visible rooms, so we can close the left-hand door.


Door Worked example 20

And that’s it! Even though we haven’t struck through them, all the other rooms are actually solved now.
It might look like it took a lot of effort to solve such a simple puzzle, but that’s because we broke it down into very small steps. As you get comfortable marking doors open and seeing where the forced openings then require doors to close, the puzzle flows beautifully. If you want to try some yourself, keep reading for some freebies…


Try Doors Yourself

Ready to try some Doors / Seethrough puzzles yourself? We’ve put together a sample pack of four grids for you – a couple of easy ones, and a couple that are more challenging. Download the PDF below. Solutions are included so you can check your results.

Click Here To Download The Taster PDF

Where To Play

Ready for even more Doors? We’ve got you covered!

Puzzle Weekly Presents: Doors is a collection of 120 puzzles set over seven levels of difficulty. Grab a copy here.

What's this? Another brand new puzzle in your favourite free weekly puzzle mag? Oh yes, welcome, Noodle! Also this week, Aquarium, Skyscrapers, and all the usual features including:

  • Our quick crossword
  • Kids' puzzles
  • Word puzzles
  • + colouring pages, and more!
Puzzle Weekly, Issue 112, 17th November 2025 – Cover

Futoshiki is a number-based puzzle that shares many similarities with Sudoku, but adds additional clues in the form of inequality symbols. 

In a hurry? Jump to: Rules / Tips / Worked Example / Download Free Futoshiki Puzzles / Books

Here’s what a small Futoshiki puzzle looks like:

Futoshiki small sample puzzle

Rules of Futoshiki

The rules are pretty easy to understand:

  • Every row and column must contain the numbers from 1 to the size of the puzzle once and only once. For example, in a 6x6 grid, each row and column must contain the numbers 1 to 6.
  • Numbers must respect the inequality symbols, which is to say the < (less than) and > (greater than) symbols.

Here’s what the earlier example looks like once solved:

Futoshiki small sample puzzle - the solution

Solving Futoshiki Puzzles

Simple Futoshiki puzzles can mostly be solved using basic Sudoku methods, in other words, elimination based one row and column intersections.

Anything beyond the most easy puzzles requires us to look at the inequality symbols, though. Here are some tips to help you get started:

  • Begin with simple intersection eliminations. For example, if every row but one is missing a 3, you can work out where it must go by seeing which crossing column does not contain a 3.
  • Try to place the largest number the grid can support (so on a 6x6 grid, the 6), and also the smallest (which is always 1), with the help of the inequality symbols. For example, any cell with a > (‘greater than’) symbol emanating from it, cannot contain a 1 because 1 is not greater than any other number on the grid. So those cells can all be eliminated from the row or column. Similarly any cell with a < (‘less than’) symbol cannot contain the largest number on the grid. These simple eliminations along a row or column are often enough to figure out where the 1 and the largest number must fit, especially when combined with regular intersection eliminations.
  • Consider whole rows or columns when working out inequality symbols. For example: In column 1 an empty cell has a > sign pointing right at its neighbouring empty cell in column 2. We may not know the contents of the cell in column 2, but if that column already contains a 1, 2, 3 and 4, then we know the empty cell is at least a 5, so the empty cell in column 1 would have to be at least a 6.
  • Look for chains of inequality. If multiple cells are stacked with the same symbol between them, you may be able to determine the contents of the entire chain, especially when eliminating any other cells in the row or column using the other methods.
  • In harder puzzles, use candidate notes (small numbers) to help as you eliminate possibilities.

As puzzles increase in difficulty, you’ll need to combine techniques to narrow down possible cell contents, and that’s when notes come in handy.

Worked Example

Theory is all well and good, but there’s nothing like putting pen to paper and solving a real puzzle, so let’s do that now. We’re going to work on an easy level 1 puzzle so that this example doesn’t become too unwieldy, but it will show the basic techniques we can use to solve Futoshiki. Please bear in mind the objective here is to demonstrate techniques, not to solve the puzzle in the most efficient way possible. 

Futoshiki Worked example 1

This is the puzzle we are going to be solving. It’s a simple level 1 puzzle that will adequately demonstrate the approach we can take to solving.


Futoshiki Worked example 2

The easiest of easy wins on this board is this row at the bottom. It’s only missing one digit, so it’s a real no-brainer! We can put a 1 in here.


Futoshiki Worked example 3

The 1 we’ve just placed is going to help us solve the middle cell in this column. That cell requires a digit that is smaller than 4 and smaller than 3. The only numbers that fit the criteria are 1 and 2, and seeing as we just placed the 1, we know that can’t be it! So we have to put a 2 in here. And seeing as there’s only one other empty cell in the column, we know that will have to contain the 5.


Futoshiki Worked example 4

In this row we are missing a 1 and a 4, and we have two cells ready and waiting. Cell A says it contains a number bigger than 2, so we can’t put the 1 in there, it has to contain the 4, and the 1 goes into B.


Futoshiki Worked example 5

In the last column we need a 2 and a 4. If we look at the row that intersects with cell A, it already has a 4, so that cell can only contain the 2. The 4 will have to go in cell B.


Futoshiki Worked example 6

There’s only one empty cell left in this row, so that’s our 5.


Futoshiki Worked example 7

How can we solve this column? Well, we’re missing a 1 and a 5. According to our inequality symbols, cell A contains a number smaller than 3, so it must contain the 1. That leaves the 5 in cell B.


Futoshiki Worked example 8

This is a very easy puzzle, so there are loads of ways of figuring out the last few cells. Let’s look at the top row. We’re missing a 2 and a 4. Cell A must be bigger than 1, so that doesn’t help us. But cell B must be smaller than 3, so the 1 must go in there, leaving the 4 to go into cell A.


Futoshiki Worked example 9

There are only three empty cells remaining, and each one is the final empty cell in its column, so they require no effort to fill…


Futoshiki Worked example 10

That’s it, all done. I did say it was an easy one! It might be simple, but these kinds of eliminations are at the heart of how we solve Futoshiki puzzles. By combining them in their different forms, and cascading implications between rows and columns, we can solve all but the most complex of puzzles without resorting to candidate notes. If you want to have a go yourself, keep reading for a free taster pack to download.


Try Futoshiki Yourself

 Ready to have a go yourself? We’ve put together free taster pack with a couple of Level 1 puzzles, and a couple of harder ones, too. Download the PDF below. Solutions are included so you can check your results.

Click Here To Download The Taster PDF

Where To Play

Would you like even more Futoshiki? We’ve got you covered!

Puzzle Weekly Presents: Futoshiki is a collection of 120 puzzles set over seven levels of difficulty. Grab a copy here.

Our favourite four-block teaser is back this week, with Tetromino. And there's more spatial fun to be had with Thermometers. If numbers are your thing, there are plenty in Suguru. And of course, there are all the usual features including:

  • Our quick crossword
  • Kids' puzzles
  • Word puzzles
  • + colouring pages, and more!
Puzzle Weekly, Issue 111, 11th November 2025 – Cover

Hoshi is a variant of Sudoku, based around triangles instead of squares.

In a hurry? Jump to: Rules / Tips / Download Free Hoshi Puzzles / Books

Here’s what an easy Hoshi puzzle looks like:

Hoshi - Easy Puzzle Example

Rules of Hoshi

Normal Sudoku rules apply to Hoshi, but instead of being constrained by rows, columns, and blocks, we have to fill in the puzzle without repeating digits in triangles and lines

Here’s what the earlier example looks like once solved:

Hoshi - Easy Puzzle Example – The Solution

Below, we've highlighted the six triangles, to make it easier to see those constraints. They are the equivalent of blocks in regular Sudoku:

Hoshi triangles

Here we’ve highlighted examples of different lines, which are the equivalent of rows and columns in the normal version of the puzzle:

Hoshi lines

You will notice that although the six triangles that comprise the Hoshi grid each contain nine numbers, not all the lines in the puzzle do; some only contain eight. However, the rules still dictate that a line cannot contain duplicate digits. For example, the red line at the bottom only contains eight digits, but it does not contain the digits from 1-8. Instead, there is a 9 but no 7. As long as no digit is repeated, then it’s within the rules.

You will also see that four of the lines in Hoshi cross the hexagonal hole in the middle. In this example, the yellow line is split across the middle, yet still forms a single valid line containing the digits 1-9 once and only once.

Solving Hoshi Puzzles

Hoshi is a variation of classic Sudoku, so if you’ve played Sudoku before, you’re all set to go. If not, be sure to read through our comprehensive three part tutorial – it teaches you everything you need to know to solve regular puzzles, and the same techniques apply in Hoshi.

Here are some additional tips you can use to help with Hoshi:

  • Keep an eye on intersections. Because Hoshi is based on triangles and not squares, most cells fall at the intersection of three lines, not two like in regular Sudoku. You get a whole extra dimension to help you eliminate candidates!
  • When you place a digit, it’s worth going around all six main triangles to look for knock-on effects. The multiple intersections combined with the triangles themselves can often allow you to fill in the same digit all the way around the puzzle, compounding the success of finding that one original.
  • Use candidates / notes. Just as with regular Sudoku, writing in small candidate numbers as notes is helpful, and indeed necessary in harder puzzles. 

Try Hoshi Yourself

Are you ready to have a go at Hoshi yourself? We’ve put together free taster pack with a couple of easy starter puzzles, and a couple of harder ones, too. Download the PDF below. Solutions are included so you can check your results.

Click Here To Download The Taster PDF

Where To Play

Want to play Hoshi? We’ve got you covered, we have books of puzzles ready and waiting to be solved.

Puzzle Weekly Presents: Hoshi is a collection of 120 puzzles set over seven levels of difficulty. Grab a copy here.

Got a Kobo? We’ve got Hoshi puzzles for that too!  Hoshi for Stylus Devices presents 100 puzzles over five levels, and is designed especially for Kobos with stylus. Find out more here.

It's a new month, and we have a brand new puzzle for the magazine: Trilogy! It's all about shapes, and not a digit in sight. If numbers are your thing though, don't worry, as Sudoku makes a guest reappearance. And for those who prefer to combine numbers with spatial reasoning, Snake should keep you busy. Plus, all the usual features including:

  • Our quick crossword
  • Kids' puzzles
  • Word puzzles
  • + colouring pages, and more!
Puzzle Weekly, Issue 110, 3rd November 2025 - Cover

Noodle is a number puzzle played on a square grid. There’s a little bit of calculation involved, but not as much as something like Number Cross or Calcudoku!

In a hurry? Jump to: Rules / Tips / Worked Example / Download Free Noodle Puzzles / Books

Here’s what a small Noodle puzzle looks like:

Example of a small Noodle puzzle

Noodle Rules

The objective of Noodle is to place numbers onto the grid according to the following rules:

  • The numbers along the top and down the left-hand side of the grid tell you how many digits are contained in each column and row.
  • The numbers down the right-hand side and along the bottom of the grid tell you the sum of the digits contained in each row and column.
  • No two horizontally, vertically, or diagonally adjacent cells can both contain a digit.

Here’s what the earlier example looks like once solved:

Solving Noodle Puzzles

Solving these puzzles involves elimination and some simple calculations. Here are some tips to help you get started. Below we’ll work through a sample puzzle from start to finish to see how to apply them.

  • Begin with easy wins. Any 0’s on the grid allow you to immediately eliminate an entire row or column.
  • Next, eliminate any cells you know cannot be filled because placing a number in them would bust a row or column. For example, if you know that a row can only take a single digit, and that the sum for the row is ‘5’, you can eliminate any cells where the sum for the intersecting column is less than 5.
  • As you place digits, be sure to check the row and column they are in to see if any further cells can be eliminated or calculated.
  • When you place a digit, remember to eliminate all the cells adjacent to it as they cannot contain digits (third rule).
  • You can eliminate cells based on valid combinations of numbers that can be used to reach a target sum, just like in Number Cross
  • When you place a digit, check for any knock-on effects it may have. For example, placing a digit in a row may help you solve the intersecting column.
  • It can help to cross out the numbers outside the grid as you complete rows and columns, a quick visual indicator as to your progress.

Worked Example

Let’s put all of that into practice and solve a puzzle. This is a very simple level 1 puzzle, so it’s easy to follow along with and does not involve logic chaining or thinking ahead. This example isn’t intended to show the most efficient way of solving the puzzle, but is to demonstrate the strategies we can use to solve Noodle. This is just one way of getting to the solution.

Noodle Worked Example 1

This is the puzzle we are going to solve. As mentioned, it’s an easy level 1 puzzle, just enough to get the idea, not to stretch our brainpower to the limit!


Noodle Worked Example 2

As we have a couple of zeros here, we can immediately eliminate the first column. It cannot contain any digits, so we can strike through all the cells in that column.


Noodle Worked Example 3

Let’s move onto the second column. The top number tells us we must place a single digit in this column, and the bottom number tells us that the contents of the column must add up to 7. In other words, we know we have to place a single 7 somewhere in the column. Therefore, we can eliminate any cells where putting in the 7 would bust a row. As we can see, none of the bottom three cells can contain the seven, as they belong to rows that add up to 2, 6, and 5. We can put strike marks in to eliminate them.
The top three cells could all potentially hold the 7, so we’ll have to come back to this column later.


Noodle Worked Example 4

We’ll finish looking at the ‘1’ columns, as they give us more easy eliminations. Here we know we have to place a 4, so we can eliminate the cell in the row that sums to 2…


Noodle Worked Example 5

…and in this one we must place a 6, so we can eliminate the cells in the intersecting 2 and 5 rows.


Noodle Worked Example 6

Now we can turn our attention to the rows. We must place a single 8 in the first row. We’ve already eliminated the first cell, and in fact we can eliminate the next four as to put an 8 in any of them would bust the totals for the intersecting columns. That just leaves the last cell, so we must put the 8 into that.


Noodle Worked Example 7

Let’s take a look at the end column now. The top number tells us we need to place two digits, and the bottom number says they must add up to 15. We’ve placed the 8, so we know the second digit must be a 7 (because 8+7=15). As there’s only one cell that can take a 7, that’s where we must put it. We can eliminate the remaining cells in that column, which will help complete the other digits.


Noodle Worked Example 8

The 7 we just placed means that we have completed the row in the green box, so we can eliminate all the remaining cells in that.
As we only have one free cell in the row in the blue box, we can place the 2 that is required in that row.


Noodle Worked Example 9

The knock-on effect of placing the 2 is that we now know we must place a 5 in this column. That’s because the column requires two digits that add up to a total of 7. There’s only one valid cell to put the 5, so we place it and eliminate the remaining cells.


Noodle Worked Example 10

For completeness, we can eliminate the last cell in this row as we’ve complete it.


Noodle Worked Example 11

Let’s take a look at this row. We can solve it using simple arithmetic. We need two digits, they must add up to 11. From the three available, we must use the 7 and the 4. Placing these digits completes a couple of columns, too.


Noodle Worked Example 12

Only one digit left to place, and it’s easy because it’s the only one left! That’s it, puzzle solved.


Obviously that was a very simple example. It’s a starter puzzle, useful for getting to grips with the rules. If you want to try something harder, check out our free taster pack below – it includes a couple of easy puzzles like this, and some harder ones, too. And if you want even more, find our selection of Noodle books at the bottom of this page.

Try Noodle Yourself

 Ready to have a go yourself? We’ve put together free taster pack with a couple of Level 1 puzzles, and a couple of harder ones, too. Download the PDF below. Solutions are included so you can check your results.

Click Here To Download The Taster PDF

Where To Play

Puzzle Weekly Presents: Noodle - Cover

Would you like even more Noodle? We’ve got you covered!

Puzzle Weekly Presents: Noodle is a collection of 120 puzzles set over seven levels of difficulty. Grab a copy here.

Got a Kobo? We’ve got Noodle puzzles for that too!  Noodle for Stylus Devices presents 100 puzzles over five levels, and is designed especially for Kobos with stylus. Find out more here.

It's Halloween week! What could be more terrifying than a level seven puzzle? What about three level seven puzzles? Don't worry, you get the whole week to work up to them. This week it's Pipelink, Tents, and Calcudoku providing the chills, along with all the usual features including:

  • Our quick crossword
  • Kids' puzzles
  • Word puzzles
  • + colouring pages, and more!
Puzzle Weekly, Issue 1098, 27th October 2025 - Cover

We've got another new puzzle for you this week: Arrows. It's quite different to anything we've published before, and rather addictive – you have been warned! Also this week, Killer Sudoku, Hidato, and all the usual features including:

  • Our quick crossword
  • Kids' puzzles
  • Word puzzles
  • + colouring pages, and more!
Puzzle Weekly, Issue 108, 20th October 2025 - Cover

Trilogy is a pure logic puzzle that uses symbols on a square grid. The aim is to fill the empty cells on the grid with the correct missing symbols.

In a hurry? Jump to: Rules / Solving / Tips / Worked Example / Download Free Puzzles / Trilogy Books

Here’s what a small Trilogy puzzle looks like:

Trilogoy Tutorial Small Example

Rules of Trilogy

There are three symbols used in the puzzle: circles, squares, and triangles. There are only two rules to remember:

  • No symbol can appear three times in a row (including diagonally).
  • Three consecutive cells cannot all contain different symbols (including diagonally).

Here’s what the earlier example looks like once solved:

Trilogoy Tutorial Small Example Solution

Solving Trilogy Puzzles

Solving these puzzles requires the application of logic. There are lots of patterns you can use to help you, and the more puzzles you do, the more easily you’ll spot the patterns.

These patterns are all “forced moves” – they allow you to immediately place a new symbol on the grid. Easier puzzles have more of these patterns, but they’ll help with harder puzzles too; as you add more symbols, more patterns will emerge. 

In this tutorial we will use the notation A, B, C, and x, where A, B and C stand in for the three symbols and x is the cell we are trying to solve.

There are two kinds of pattern. The easiest is a simple row of four cells with a gap, allowing you to place a symbol:

AxCC pattern. In this case, the x must be the same as the A symbol. It can’t be B because otherwise we’d have (ABC)C, which isn’t allowed, and it can’t be C because otherwise we’d have A(CCC), which is also not allowed.

In this example, A is a square and C is a circle, so the empty (x) cell must be a square.

Example of an AxCC pattern in Trilogy

ABxB pattern. In this case the empty cell must contain the A symbol, because (ABC)B isn't allowed, and A(BBB) is not allowed. 

In this example, A is a square and B is a triangle, so the empty (x) cell must be a square.

Example of an ABxB pattern in Trilogy.

These patterns are easy to spot as you can quickly look for doubles on the grid (two symbols the same next to each other), and doubles with a gap between and another symbol next to them.

Next, you can look for intersection patterns. These are patterns where the empty cell we are trying to solve is at the intersection of two patterns. The simplest intersections are a confluence of doubles. For example, if you have AAx in one direction, and BBx in another, x must obviously be C, otherwise we’d be making a triple, which isn’t allowed.

In this example, we have two circles together vertically, forming an AAx, intersecting with two triangles together diagonally, forming a BBx. The intersecting cell (x) must be a C to avoid three in a row. Therefore, in this case it would be a square.

An example of an AAx BBx intersection pattern in Trilogy

There are lots of these patterns to find in Trilogy. The following table lists some common intersections and what they resolve to. It should be fairly easy to work out why the answer is what it is in each case. 

Solves To:
AAxBBxC
AAxABxB
ACxBAxA
AxAABxB
AxCABxA

These are not necessarily all the possible patterns – they are the most common, and a good starting place. As you get deeper into this fascinating puzzle, you will find more that you can add to your arsenal.

Tips

Here are some further tips to help you solve Trilogy:

  • Unlike many puzzles, the corners and edges of the grid do not offer a simple way in. On the contrary, they are usually harder to solve for as they have fewer intersections. 
  • In easy puzzles, patterns will be enough to solve to the end. As you go up in difficulty, you’ll need to chain logic. In harder puzzles, making notes (writing in small potentially valid symbols) becomes necessary.
  • Remember to check the diagonals as well as rows and columns; they’re easily forgotten!
  • Look for knock-on effects of completing a cell. See if it creates any new patterns.
  • If you get stuck, it can be helpful to go through the board from the top looking for patterns again. It’s easy to miss obvious moves sometimes as the grid fills up, especially on larger puzzles.

Worked Example

Let’s put all of that into practice and solve a simple puzzle. This is not intended to show the most efficient way of solving this puzzle. The purpose of the example is to demonstrate the strategies we can use to solve Trilogy, and is just one way of getting to the solution.

This is the puzzle we are going to solve. We’ve deliberately chosen a simple one to keep this tutorial manageable. The same concepts apply whatever the size of the grid, though.


Trilogy Worked example 2

Let’s begin by looking for the easiest patterns. The first of those is the AxCC. There are three of those in this puzzle, all in the vertical plane. We know that the empty cell in this pattern must be the A symbol. If we put a C in there, we’d have three Cs in a row, which isn’t allowed. And if we put a B in there, we would have A, B and C in a row, which also isn’t allowed. So from the left, the first empty cell must be a square, the second also a square, and the third one, on the right edge, must be a circle.


Trilogy Worked example 3

Filling in those three symbols has created a a new AxCC pattern (in yellow), so we know the empty cell must be a square. It’s also given us an ABxB pattern (green). This must solve to A, for exactly the same reason as before. So the empty box in the green area must be a circle.


Trilogy Worked example 4

We’ve exhausted the simple gap patterns for now. Let’s look for intersections. The easiest to spot are the doubles (it’s quick to find two symbols the same on the grid). Here’s one example, right at the top. We have an AAx intersecting with a BAx. We know this must solve to B, because if we tried to put an A in the intersecting cell we’d have AAA which isn’t allowed, and if we tried to put a C in there, we’d have BAC which is also not allowed. So the empty cell must contain a circle.


Trilogy Worked example 5

Here’s another, almost the same. This time it’s ABx / AAx, but it solves to the same solution for the same reason. We have to put a circle in the intersecting cell.


Trilogy Worked example 6

Here’s a different kind of intersection. This is an AxC / ABx. From our table above, we know it resolves to A. That’s because if we tried to put a B in the intersecting cell, we would be creating an ABC run in the green area, and if we put a C in there, we’d be creating an ABC run in the yellow one. A is the only option. The empty cell contains a square.


Trilogy Worked example 7

This is an easy puzzle, and there are lots of intersections and patterns appearing all over the place. Let’s look at this AxCC for no other reason than because it’s a diagonal, and we haven’t done any of those yet! It’s important to remember to check the diagonals, particularly when puzzles get harder, as they add two extra dimensions and can often be the key to unlocking the grid.
Being an AxCC pattern, we know the empty cell solves to A, so it’s a circle.


Trilogy Worked example 8

We can do intersections on diagonals as well. Here’s another AAx / BAx, with the AAx on the diagonal. We know it solves to B, so the empty cell at the intersection must be a square.


Trilogy Worked example 9

Here’s another diagonal, an AxCC. It must be a square.


Trilogy Worked example 10

And here’s an ABxB. As we fill out the cells, the simple patterns keep popping up again, so it’s worth keeping an eye out for them. This must be a circle.


Trilogy Worked example 11

Let’s speed up a bit. We’ve got two patterns here. The blue is another ABxB, so that’s a circle. The yellow and green intersection is an AAx / AxC, so that has to solves to C - a circle in this case.


Trilogy Worked example 12

Nearly there. Here are two more. The yellow and green intersection is an AAx / ABx, so must solve to B. It’s a square.
The blue intersection is an AxA / ABx. It must solve to B, so it’s a circle.


Trilogy Worked example 13

A quick AxCC here. It must be a circle.


Trilogy Worked example 14

Just two more to go. This is a new intersection: ABx / ACx. This must solve to A (square). If we put a B in here, we’d be creating an ACB run on the diagonal. if we a C in there, it would be an ABC on the vertical. So, it’s a square.


Trilogy Worked example 15

That just leaves us with a simple ABxB pattern along the bottom. It must be another circle.


Trilogy Worked example 16

That’s it, we’ve completed the puzzle. And we didn’t even have to draw any triangles! I said it was an easy one. If you want to try some puzzles like this yourself, read on – there are some freebies to download below…


This was a very simple puzzle, but it shows the basic techniques used in solving Trilogy. Harder puzzles have far fewer starting symbols on the board, and fewer (if any) initial patterns. They require using more advanced logic, and notes in the cells as you eliminate possibilities. 

Try Trilogy Yourself

Are you hooked? Ready to have a go at some Trilogy puzzles yourself? We’ve put together a sample pack of four grids for you – a couple of easy ones like the above example, and a couple that are more challenging. Download the PDF below. Solutions are included so you can check your results.

Click Here To Download The Taster PDF

Where To Play

Puzzle Weekly Presents: Trilogy – Cover

Would you like even more Trilogy? We’ve got you covered!

Puzzle Weekly Presents: Trilogy is a collection of 120 puzzles set over seven levels of difficulty. Grab a copy here.

Got a Kobo? We’ve got Trilogy puzzles for that too!  Trilogy for Stylus Devices presents 100 puzzles over five levels, and is designed especially for Kobos with stylus. Find out more here.

Puzzle Genius is an imprint of Shelfless.
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